January 29, 2013

 

Picture taken HERE

 

My sister gave me the image of Him (Johannes Brahms), thus illuminating the shadowy spring day.

 

And that gift was the alternation of light and cloud in the alternating movement of the two themes decidedly mixed. The first theme, very lyrical and melancholy, brings an atmosphere of sore nostalgia for events never happened and he evoked. Like a restless throb along a century. And this is in contrast to the second theme, introduced by woodwinds, Notable for its intense rhythmic and bringing the emotional rainbow as the omen of summer rain (4 minutes and 10 seconds.) – And the yearning of the arches in 4 minutes and 40 seconds.

 

In this sonata for the first time is not required to repeat the exposure of themes, which are two: the first is drawn in from the opening two sections of violins, cellos and horns from the second, and it is characterized by the broad range of seventh . The absence of a second exposure sheds particular light on the relations between the different moments of the movement, in the development undergone by the first theme, there is one that appears in the second half for the use wind instruments, which seem to want to turn everything into a choir, from which, however, the theme wriggles free quickly to return to his true nature melodic.

 

What a paradox: what was an early in his career as a composer room, which was tricky with the wind instruments, uses an imposing orchestra here and follow it by arches, which Gently reproduce musical cells that make up their towing. As the silence after the rain, as soon as interrupted by the whispers of the rays of the clouds thinned out.

 

Me and the picture of him with my sister and from the eighth minute the musical work, with the whole orchestra this time, we invite everyone who is willing.

 

To listen “L’allegro ma non troppo” of the Fourth Symphony,  click HERE