Archivi categoria: Poetically

@ 6 poetically: the work consumed and the cry devoured

March 5, 2013

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The Scream devoured – The ThyssenKrupp worker

Lino Milita

The anonymous dead mystified
by mysterious profits,
rummage unchanged
miserable bones,
for the annuity granted
from the ring royal
of pagan remittance.

Textures entombed
with hands that are woven
errors mythologized,
retain mediocre
meat eaten
from bondage burning
of shouts devoured.

“The Silesian Weavers” by Christian Johann Heinrich Heine (Düsseldorf, December 13, 1797 – Paris, February 17, 1856), arose after the revolt of the weavers in 1844. Today we have workers that are consumed and “non-workers” that are emptied .

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Heinrich Heine, image taken HERE

Deaths from “work” indicate that this poem is not the past. Here we have a cry. And today we have even more in the scream of the dead to the “do not work”

The Silesian Weavers

In lightless eyes there are not tears.
They sit at the loom and gnash the gears.
Germany, we weave the cloth of the dead
Threefold be the curse we weave ’round your head
We’re weaving, we’re weaving.

A curse to the god to whom we knelt.
Through the winter’s cold, such hunger felt.
In the past we hoped, we waited, we cried
You’ve mocked us and poxed us and cast us aside
We’re weaving, we’re weaving.

A curse on the king of the empire,
Who would not quell our misery’s fire.
He took every penny we had to give
Then shot us like dogs with no right to live
We’re weaving, we’re weaving.

A curse on the cold, ruthless fatherland,
Where outrage and shame fester by your hand,
Where blossoms are trampled under your boot,
Where rot and decay are allowed to take root.
We’re weaving, we’re weaving.

The shuttle is flying, the weaving looms roar.
Day and night we weave with you at our door.
Old Germany, we weave the cloth of the dead.
Threefold be the curse we weave ’round your head.
We’re weaving, we’re weaving.

@ 5 poetically: time for us and not for others

February 15, 2013

 

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Eva D. Cowdery (American, 20th century) “Girl Reading” on the Boston Art Club label, signed lr Eva D. Cowdery, taken from HERE

 

This was a revolutionary act.

Time for yourself and not for others.

Full time and experienced.

 

The painting has red hair and rosy lip in a single triangle of the white page with the face of intense concentration and contemplation wonderful.

Where contemplation is harmonious union already undivided green hope of affirmation of self.

She does not wait for ratings from other people’s looks and even letters of severe judgments.

I am for me in reading this air of freedom unconquerable.

@ 4 Poetically: The Funk Revolution

February 6, 2013 

Funk is REVOLUTION in black music took place in the same period in which the social movements of the sixties were the center of attention in the U.S. and around the world. With soul and jazz, and something else appeared: A New Groove. The Godfather of Soul, he went beyond his original field: “Papa’s Got A Brand New Bag”, 1965. He shifted his rhythm on the first and third beat, rather than on the second and fourth. He took as gospel and jazz, and he defied all the rules. The guitar and jumping the bass, the “out of time” with the voice of his lungs.

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James Brown taken from HERE

“[…] Come here sister…..Papa’s in the swing
He ain’t too hip…about that new breed babe
He ain’t no drag
Papa’s got a brand new bag [..]“

To listen Papa’s Got a Brand New Bag (Olympia 1967) go HERE

@ 3 Poetically: Woman at the window

January 30, 2013 

 

What are you looking at this woman?

It looks like she’s watching the road.

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Gustave Caillebotte, “Woman at the window” (1880) taken from HERE

 

Yes, this woman is looking at the way her of her past and many manifestations of the ego and safe collection of what is behind her, with a calm and static vision of support to the interior of the room.

 

This is an overview of all the manifestations of what has been, what with the uncertainty of what might still be; of the many faces that will appear and they are now and still waiting for a response from them and from the indifferent external environment, or they are waiting for our nod.

 

A nod to our viewers.

@ 2 poetically: Nets of real

January 23, 2013  

Lino Milita

I desideri dei mondi possibili
relegati nell’aliena inconsistenza,
son soppesati come una senescenza
che s’attarda nelle fole insolubili.

Pigre sintesi giudicano le astratte azioni,
infantili albe delle fiabe fatate,
annunciate dalle farfalle eccitate
nel dipingere libere e aeree aspirazioni.

Ma ogni assonante ritmo d’ali rievocato
in mutevoli aperture dei risvegli,
è specchio di ogni petalo illuminato.

E ogni incontro nell’universale meraviglia
nella celebrazione d’un altro apparire
accudisce una nuova e più intensa veglia.

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As for the video Ryan McGinley’s Beatiful Rebels click HERE 

The Celebrated Artist Reveals the Unexpected Magic of Shooting his Butterfly Film For Edun

@ 1 Poetically: Writing poetry

January 14, 2013

How do you are writing a poem? Whether it is of excellent style, tawdry, stupid, clearly sloppy, or original?

Even if we erudite in versification, rhetoric and stylistics, it may appear to hang. If you think of a task, the publication, the existence of an actual immediate audience, the paper will remain white. If you use rites stable and if you program your job, the sheet may remain white.

If you will force the rhyme, perhaps appear scattered pages of rows in prose, and this is not a bad thing. So what? In the precise act of composing poetry that you think, maybe there is not a rule but an operational criterion (mutable): you let go of the “should”, so that the emotions are not forced.

You let go of the analysis, and you listen to your body, not ontologically, or subjectively, or into sense of ethics or erotic, maybe later, but just the body, here and now.

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Maurits Cornelis Escher, Drawing Hands, 1948.

Let him come all that overwhelms you from the outside.

Let him come anxiety and fear.

Later you will meditate, you will analyze and will correct everything. This is not an investment, because you have no interest and guarantees. The prize is always one: yourself.